DEREK EVANS | at Re:Imagine, 27 September 2007
The Art of the Garden
Throughout my life I have built gardens in unlikely
places. I have never been terribly interested in the
actual gardening itself the planting and weeding and harvesting and all
but more in the challenge of transforming a piece of barren ground
into something that might support beauty and life.
My first garden was in a piece of utter wasteland the abandoned
parking lot of a derelict factory in an area then known as the "grey
underbelly" of Montreal. That little patch is
still producing flowers and vegetables for the people of that neighbourhood.
A full-page photo of my next garden was actually published
in Harrowsmith magazine. It was a box garden on the rooftop of a
community centre, adjacent to a convalescent hospital. When the hospital staff
told us how much the patients enjoyed watching the plants spring up in
our collection of old crates and bins, we built an arbour and a
boardwalk across the roof to accommodate wheelchairs, so that patients
could spend an hour or two in the leafy shade.
My latest project has been transforming an old swimming pool
into something I am calling "the fruit pond." I have filled it in one
wheelbarrow at a time, and last week it produced its first yellow plum!
For the most part, I have wisely left the work of nurturing seedlings
and producing crops to others. Years ago, I learned that the only thing I
could reliably grow were roses, largely because they are so independent
and determined, and because they even seem to thrive on neglect and
adversity. I've always been alarmed by the gardener's advice to "cut back
hard." It seems like such a high risk
strategy! But sure enough, whenever I've done it, the roses have somehow
returned the next year, indomitable and with even greater vigour.
During the past month, I've found myself in two unlikely gardens,
in each case witnessing again the fearful vulnerability and the
miraculous resilience of roses "cut back
hard." I spent several days in London before
and after the suicide bombings of the buses and the underground. My
hotel was just around the corner from King's Cross station, the centre of
the attacks.
The first day after the bombings, the crowded streets seemed to be
filled with a combination of stunned shock and the typical "grittiness" for
which Londoners are so famous. Everyone behaved outwardly as if nothing
had happened, despite the disruptions and the constant wailing of emergency
sirens. However, by the second day and especially on the third day, strain
and emotion began to claw through the veil, as the terrible reality of the
atrocity and the persistent nature of the threat settled upon the city.
After a peaceful day of research in the soft natural light and
comforting blue leather of the great, round reading room of the British Museum,
I walked over to King's Cross to pay my respects at the spontaneous
memorial that had sprung up outside the station. This was where the worst of
the bombings had occurred, and many of the thousands of commuters and
visitors who pass through the station daily had paused to offer a prayer,
or a poem, and to lay down some flowers on the sidewalk. There were
tributes and messages from people of all cultures and classes, and from all
over the world. One of them, scrawled on a scrap of paper and stuck on
the grimy brick wall, particularly struck me. It read simply, "Fallen roses,
ah, all of them roses."
My travels next took me from London to Central Africa to
Burundi and the Congo a region that has known immeasurable and
seemingly endless terror and atrocity during the past decade of genocide,
invasions and civil wars. The war in the Democratic Republic of the Congo, for
instance, largely ignored by the world's media and carried on without
much public concern, has claimed more lives some few million, in fact
than any other conflict since World War II.
I was in the region to conduct an assessment of human rights
protection mechanisms, and it was tough
work. Food was scarce, as were basic amenities; electricity was
available only a few hours each day; security conditions were stable, but tense. A
6 p.m. curfew was in effect, and light machine gun fire often disturbed
the night. During the day, ranks of ragged, irregular troops would
periodically emerge from the mountains and march through the city on their
way to a new front-line somewhere to the north.
I've always found the reality of child soldiers deeply troubling.
But this time I was shocked at how many child soldiers were evident and
by how young they were. After a meeting with some officials, I came out
of a government building to see yet another line of troops marching
along the road. As usual, most of the soldiers had only various bits of
uniform,
and a chaotic assortment of weapons. I noticed one soldier in particular,
a boy who could not have been more than ten years old perhaps 11 at
a stretch. The thing that disturbed me most, though, was not his age,
nor even the familiar ease with which he carried his AK-47. It was that he
already wore the "hard face" of a veteran, something that cannot be faked.
All was silent as the troops passed. As soon they disappeared around
a bend, singing and clapping arose from a house across the way. A
wedding was taking place under a veranda. A wise sense of discretion meant that
the couple, family, and friends had interrupted their celebration and had
disappeared while the hungry troops passed, but now they resumed
their festivities with all the joy and splendour they could muster. They
even invited the "muzungu" visiting from Canada to join in the
celebrations. Just beside the veranda, a large
rose bush was in full red bloom. We all gathered in front of it for the
photos of the wedding party.
Perhaps there is really no such thing as an unlikely place for a
garden. Perhaps every patch of earth like every aspect of human
experience can be a place of life and
beauty, even in places that are "cut back hard." Perhaps the real work of
gardening is cultivating our own ability to recognize the beauty that
surrounds us, and nurturing our willingness to share life in its fullness.
I am a devotee of full-contact gardening. My efforts to excavate
flower beds from the ancient creek bed around our house in Naramata
have earned me a nickname: "The Rock-weiler." I am proud of the
nickname and of my gardening, though my sometimes-aching back is less
impressed. Full-contact gardeners are people who know that the
cheapest way to buy Epsom salts is in 25 kilogram bags from the garden centre.
The hillside behind our new house in Penticton stretches up to Redlands
at an angle that is a little better than 45 degrees. Okay, it's closer to 60
degrees. To a committed full-contact gardener, however, that can mean only
one thing it's time for terracing!
Like many gardeners, digging in the earth is for me an exercise in
personal archaeology an opportunity to reflect. As I began to build my first
terrace recently, I realized that I was following a pattern that was already
set in my mind, a knowledge drawn from something I'd observed many
years ago. I remembered that, in fact, I began my international human
rights work almost exactly 25 years ago in the magnificent rice terraces
of Sagada, on the island of Luzon in the northern Philippines.
The extraordinary terraces of Sagada are a marvel of effort and
engineering, and have sustained countless generations of the
indigenous Kalinga and Bontoc tribal peoples, who continue to occupy the
region. Today, the terraces are recognized as a United Nations World Heritage
Site, but in the early 1980s they were slated
to be flooded, and the people forcibly relocated, as part of
Ferdinand Marcos' plan to develop the region. Ostensibly, the purpose of the
dams was to generate electricity to serve the long-term needs and
industrialization of the country. But in the eyes
of many, Marcos' more immediate goal was to attend to the interests of
an array of multi-national corporations, as well as to the insatiable greed of
his own dictatorship what came to be known as the "cleptocracy," a
regime based on an addiction to theft.
I was sent to research the impact of the proposed mega-project on
the local people, as some of the capital investment and technical
assistance would be coming from Canada. The country was in the grip of an
undeclared but nonetheless severe civil war. About a third of the country
was controlled by the communist insurgents, largely as a result of poor
people desperately resisting Marcos' attempts to push them off their
traditional lands. That was precisely what had happened in this region, and
I had been invited to visit the home of Macli'ing Dulag, a legendary
tribal leader who had called on his people to defend their traditional lands,
and who had been assassinated by Marcos' troops a few months previously.
It took three days to travel the 200 kilometres or so from Manila to
the tiny village of Bugnay, mainly because of repeated detours through the
jungle to avoid the many military checkpoints along the roads.
After Macli'ing's death, the insurgents had entered the area to support the
tribal people, who to that point had been armed only with spears. The
village had now become a rebel stronghold under siege. The only access was
over a swinging footbridge suspended high above the Chico River canyon.
We inched across it on our hands and knees, placing the deck planks
ahead of us one at a time, and taking them up again and relaying them along
the line as we moved forward.
The village clinging to the mountainside was, at that time,
an anthropologist's dream, seemingly untouched by modernity except
for the newly-arrived communist guerrillas. By custom, I was to be hosted
by the eldest woman of the community. We climbed the steep path and
found her standing outside her house,
pounding beans in a mortar and pestle, and weeping. Inquiries were
made to find out what was the matter. I understood only a single word
before the interpreter spoke. "She says she
is weeping because she is ashamed. She says you are her guest, and she
has heard that you like to drink coffee. She says she is upset because she has
only these native coffee beans to offer you; she says she is ashamed because
she has no 'Nescafe.'"
I remember being stunned that the power of corporate advertising, as
the arbiter of what is deemed to be of value, was such that it could reach
its insidious way even to this utterly remote and tradition-bound
place. Then again, here I was, a young Canadian investigating the innocent
but potentially devastating impact of money and expertise from my
country on these people. It was my first real experience of what came to be
known a decade later as globalization.
I spent several days in the village interviewing the people, enjoying
the fine local coffee, and helping out with repairs to the ancient terraces in
preparation for the next planting season. Among the Kalinga and the Bontoc,
as with many tribal peoples, the division of labour assigned responsibility
for preparing the fields to the men, care for the crop to the women, and
planting and harvest to all.
After several years of struggle, Marcos was successfully resisted
and eventually overthrown, though at a great cost of life and limb. But
the dam was never built. The Kalinga and Bontoc people continue to draw
life and inspiration from their land, and the wondrous terraces bestowed
on them by their ancestors will be preserved for the next generation.
And now I find myself using the knowledge they shared with me on
the hillside behind my house on Creekside Road. Perhaps I'll treat it as my
own little tribute to them, a reminder of the ingenuity and determination
required, if we are to survive and find a sustainable path to the future.
Derek Evans served two terms as Deputy Secretary General of
Amnesty International, and was Executive Director of the Naramata Centre.
His book, Dispatches from the Global Village, was published in 2007 by
Wood Lake Books.
Copyright © 2007 Derek Evans. All rights reserved.
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